"Disclosure Day" First Reviews

Review: ‘Disclosure Day’ Review: Emily Blunt, Josh O’Connor and Colin Firth Lead Steven Spielberg’s Spellbinding Return to What He Does Best - The Hollywood Reporter

Review: ‘Disclosure Day’ Review: Steven Spielberg’s Invigorating Chase Thriller Taps Into the Mania for Alien Conspiracy Theory, but It Never Becomes a Close Encounter With Wonder - Variety

Review List: Disclosure Day - Rotten Tomatoes

89% on Rotten Tomatoes with a consensus that the film is good, but the narrative is the problem.

Read the Hollywood Reporter and Variety reviews by the links above. The Rotten Tomatoes page is also linked.

"Disclosure Day" opens this Friday, June 12.

millerfilm for the latest Movie News and Trailers! • Twitter - millerfilm

millerfilm is ON! • Twitter • Facebook

"Disclosure Day" Full Trailer Is Out

Video: Disclosure Day | Official Trailer - Universal Pictures

The Full Trailer for Steven Spielberg's lastest film, "Disclosure Day" is out! Check it out and see get a glimpse of Spielberg's return to aliens and sci-fi.

"Disclosure Day" will be released in theatres on June 12, 2026.

millerfilm for the latest Movie News and Trailers! • Twitter - millerfilm

millerfilm is ON! • Twitter • Facebook

Spielberg's "Ready Player One" New Trailer

Trailer: 'Ready Player One' Trailer - YouTube

Article: Steven Spielberg Brings Ambitious 'Ready Player One' Footage to Comic-Con - Hollywood Reporter



Steven Spielberg's new movie "Ready Player One" has released a new trailer.

“Ready Player One” premieres March 30, 2018.

millerfilm is ON!  Facebook   Twitter   Google+

"Poltergeist" (1982) - Movie Review

My Lord, this movie is loud! Two hours of nonstop noise that you are thankful is over, when it's finally over. This movie signified the end of Spielberg's filmmaking magic. It was the beginning of his making brainless, soulless fare like this and "E.T." It was at this point that he became more a manufacturer of "entertainment" than a creative director of it.

"E.T.," also in 1982, is essentially a dumbed-down version of "Close Encounters" for children or for those who want all the edges polished away. No need for characters you could believe exist in the actual world. Instead they're replaced by mannequins who have little to no dimension.

The 1980's was all about that, following the Reagan call to give up on humanity, give up on dreams, and just crank out lifeless stuff and make the most money possible.

And so, "Poltergeist" is one of the most perfect examples of this. It is sort of entertaining in its thoroughly stupid way, but that's about it. Tobe Hooper, who had directed "The Texas Chainsaw Massacre," went on to direct something much closer to his fairly perverted sensibilities with the great, and thoroughly nuts, "Lifeforce" in 1986. Here, he's more gun for hire, technically being the director, while it is said that Spielberg was on the set more than Hooper, and shot most of the movie. You can tell!

If this movie accomplishes anything, it is an accomplishment for the Visual Effects and Practical Effects teams. Creating an atmosphere of horror is out of reach to a vast majority of those who worked on this.

The one person in the cast who hits the mark is Heather O'Rourke, who out acts everyone else by a good margin. Jerry Goldsmith, as expected, turns in an excellent score, and contributes what is easily the most artistic component to the film.

** (2 Out of 5 Stars)

millerfilm is ON! Twitter and Google+